Testimonials

 

Jacqui Dubois

Actor - People, Places and Things | Ghost | Rent

"Working with Amy is a joy. She is a great leader with plenty of knowledge and has a wonderfully eloquent way of getting her ideas across. Always open & approachable, I was particularly impressed with the way she handled Actors' choreography; always explaining in their language. Amy has a wonderful eye & extensive knowledge. Not just in the world of arts but her interests spread far & wide giving weight & layering to her style. A totally inspiring experience"


Venetia Twigg

Company Director - Theatrical Niche

"Amy has always been a pleasure to work with. Disciplined, creative & brimming with enthusiasm, she puts fellow artists at ease and deftly works her magic. I have loved her choreography so far, always adding extra wonderment to our shows - I would highly recommend her."


Jeremy Drakes

Actor - Great Excpectations | Richard III | Romeo & Juliet

"Having worked with Amy on Mary Stuart - The Musical, I can recommend her very highly.
I was impressed by her ideas and the thoroughness she brought to the creative process, not only for the choreographed set-pieces but also in terms of the physicality of performers in the show as a whole.
I found her professional, committed and a positive presence in the company, from the audition stage right through to our final performance."


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Joanne Fitzgerald

Writer/Producer - Her Not Him

"Amy came recommended for her choreography but proved herself to be an adept director and collaborator.  She was a pleasure to work with and brought passion and creativity to every step of the project.  She is extremely hard working, professional, dedicated and bubbling with enthusiasm for what she does, but also open to experimenting, to feeling things out and finding new ways to come at a moment, a movement or a line.  I look forward to seeing her career as a director develop from here."


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Alice Sillett

Director- A Doll's House | Metamorphosis | Lysistrata

"Amy has a very special talent for choreography. First and foremost she uses it to tell stories. She uses the language of movement to take the audience on a journey.

I have seen her work with many different styles sometimes entirely new to her, research them, get them into her body and create choreography that compliments the performance as a whole. Her work is fresh, sometimes beautiful, sometimes comical, sometimes painful, but always serves the story."